A THOUGHTFUL MATTER: Selenite Worker

Friday, April 4, 2014

Selenite Worker

Selenite worker ; The first image from Lunar orbiter the second from a Ray Harryhousen film " First men on the Moon". Selenites were an advanced group of highly evolved insects (ants) on the Moon. Selenites had an advanced society that was different than those on Earth, that humans did not fully understand. Durring the late 1800s and early 1900s before their extinction, Selenites devolved large "moon cities" Selenite workerSelenite Workers in Suspended Animation AustralopithecusmanAdded by Australopithecusman with a complex tunnel system underneath a large magority of the moon's visible surface. The Selenite had a rich depostite of minerals such and dimonds and gold that they found on the moon, and used to devolpe numerous techology. Selenties had a system for if an worker was no longer in use to their system, they would suspend them in a cacoon like state until they were needed. Selenites also were under one leader ,like a queen ant, that commanded the Selenite armies. Selenites didn'f fight wars, but attacked in self defense of the colony if they felt it was nessary. Selenites behaved similar to a colony of ants or bees, however ants have been known to attack other colonies of ants, while the Senenites acted as one whole colony. http://gwangipedia.wikia.com/wiki/Selenites

Get the Book PARADIMENSIONAL SPACE ART

by Bret Colin Sheppard and Karen Christine Patrick

PDF VERSION or PRINT VERSION

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EXCERPT: PARADIMENSIONAL SPACE ART

In 1982, Bret Colin Sheppard was 15 years of age and an aspiring art
student, when he was asked to stay after school with another art
student and view a slide show presentation of some very strange art. The
woman who showed him this art was from SRI, Stanford Research Institute
and Bret felt a strange sense of deja’ vu as he was shown the images
and he never forgot the experience. Bret went on to have a professional
career in art, his art style being of a surrealistic type, a dream scape
of the mind.

Years later, Bret is strangely compelled to pursue research into
space images of the moon. He founds the Lunar Anomaly Research Society
and, along with other anomalists, peruses lunar imagery looking for
structures, unnatural architecture and other types of anomalies. Then,
he is confronted with an image that stirs his memory and he is seeing an
image that he remembers seeing as a teenager in that darkened room.
This sends him on a quest, looking for more of this surreal, embedded
imagery that is found in hundreds of space mission photography. Over
time, Bret becomes convinced he is seeing what may be extraterrestrial
or extradimensional (ET/ED) beings in contact with humanity by embedding
imagery into space photographs using advanced holographic technique.

This book is an art book, he has not created the imagery but rather
finds it and highlights it as a unique art form. He discovered the
subject matter this art is based on, visualizes it, and then colorizes
it to share with others. At first, he shares this with his Lunar Anomaly
Research Society (LARS) cohorts. Now this fascinating imagery is
available in this volume for others to enjoy. Karen Christine Patrick,
Bret’s writing and research partner, helps to uncover the mystery of
these images as an astonishing paranormal paradox, suggesting that the
imagery Bret has painstakingly illustrated quite possibly is Bret’s own
work, made into a slide show and sent back to his teenager self for him
to see in 1982. The collection of these images may be, in fact, a body
of work sent back in time.

EXCERPT: THOUGHTS EQUALS MATTER

This work can be described as Encoded Poetry exploring the nature of thought as related to matter expression. This work is based on Automatic Writing sessions from the poet and writer Karen Christine Patrick.

Words from the writer’s mind
spin action through Space;
the words now made flesh in the lighted space.
What was NO time,
is now an interlude of activity,
what was NO space
is a window into a contrived reality.

The walking shadows portray characters
in affected narratives,
projected into the mind's eye.
Not just to be for the moment,
is this theatrical artifice but
the experience is written on a page
of a day in the life of each observer.

Built into the web of shared consciousness,
the theatrics ... theo tricks... god... “tricks"to
bend this long moment shared
into a greater reality
from that which could not be made real.

Are these god tricks, the creator’s grand joke?
Is that how, then, it all is?
From some place of NO time, NO space?

It is the Creator’s Question...
“What if...?"
We are artists all,
creators created to create.
Created to wield our arts of imagination
to create and define a sub-reality
from the implicate order,
the bare stage.
In the realm of the stage the playwrights’
"What if...?" question is played out.

Who is the Prime Creator, the Grand Playwright?
What is the fundamental question asked,
from which the drama unfurled, flows out from?
Is there really an answer?
Or just more observations
and better, more refined questions?

The Question.... the “Quest I Own,"
never ending, open ended.
The Answer.... the “And Swear,”
If I stop the questions, and swear,
attest a final solution
in a credibility maneuver,
the Quest stops.

The Creator’s impetus is a heart beat,
“What if...?” “What if...?” “What if...?”
And so we have a universe, in motion...
spiraling on.

PAGES

Friday, April 4, 2014

Selenite Worker

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